Tuesday, December 18, 2007
Folk rock is a musical genre, combining elements of folk music and rock music.
In its earliest and narrowest sense, the term referred to a genre that arose in the United States and Canada around the mid-1960s. The sound was epitomized by tight vocal harmonies and a relatively "clean" (effects- and distortion-free) approach to electric instruments epitomized by the jangly sound of the Byrds' guitarist Roger McGuinn. The repertoire was drawn in part from folk sources, but even more from folk-influenced singer-songwriters such as Bob Dylan.
This original folk rock directly led to the distinct, eclectic style of Electric folk (a.k.a. British folk rock) pioneered in the late 1960s by Pentangle and Fairport Convention. Starting from a North-American style folk rock, Pentangle, Fairport and other related bands deliberately incorporated elements of traditional British folk music. At the same time, in Brittany, Alan Stivell began to mix his Breton roots with Irish and Scottish roots and with rock music. Very shortly afterwards, Fairport bassist Ashley Hutchings formed Steeleye Span in collaboration with traditionalist British folk musicians who wished to incorporate electrical amplification, and later overt rock elements, into their music.
This, in turn, spawned several other variants: the self-consciously English folk rock of the Albion Band and some of Ronnie Lane's solo work, and the more prolific current of Celtic rock, incorporating traditional music of Ireland, Scotland, Cornwall, and Brittany. Through at least the first half of the 1970s, Celtic rock held close to folk roots, with its repertoire drawing heavily on traditional Celtic fiddle and harp tunes and even traditional vocal styles, but making use of rock band levels of amplification and percussion.
In a broader sense, folk rock includes later similarly-inspired musical genres and movements in the English-speaking world (and its Celtic fringes) and, to a lesser extent, elsewhere in Europe. As with any genre, the borders are difficult to define. Folk rock may lean more toward folk or toward rock in its instrumentation, its playing and vocal style, or its choice of material; while the original genre draws on music of Europe and North America, there is no clear delineation of which folk cultures music might be included as influences. Still, the term is not usually applied to rock music rooted in the blues-based or other African American music (except as mediated through folk revivalists), nor to rock music with Cajun roots, nor to music (especially after about 1980) with non-European folk roots, which is more typically classified as world music.
The roots of folk rock
In the United States the heyday of folk rock is likely between the mid-sixties to the mid-seventies, not only aligning itself but also becoming the medium of expression for the hippie movement. Cities such as San Francisco, Denver, New York and Phoenix became centers for the folk rock culture, playing on their central locations among the original folk circuits.
It is to be noted that the earthy "unplugged" musically simplified sound of the music and common presentation reflected the genre's connection to a more earthy look at society's state of affairs. Unlike pop music's escapist lyrics that were disconnected from reality, a fantasy distraction from the problems in life, folk artists were actually speaking to masses their connected-to-life messages for peace, global awareness, and other touchstones of the revolutionary era.
The original folk rock impulse
Arising originally from the folk-influenced music of Bob Dylan and earlier musicians, the folk revivalist vocal combo, and the rock music of the British Invasion, it folk rock later incorporated elements of country music, drawing on Hank Williams and others. Such success in the country folk blend led to pioneering records for '60s folk singers like John Denver and Judy Collins.
Country folk
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